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Pad nulik: '''Fuge''' (Italian: ''pöjutön, yagön''), u fom vönik, '''ricercar''' (Italian: ''vestigön'') binon pated taikpün(?''counterpoint''), a form of composition of musig,...
 
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'''[[Fuge]]''' (Italian: ''pöjutön, yagön''), u fom vönik, '''ricercar''' (Italian: ''vestigön'') binon pated [[taikpün]](?''[[counterpoint]]''), a form of composition of [[musig]], in which several lines melodic (''voices'') imitate and intertwine each other in displaced time, yet forming a unity harmonic, even growing into a structure complex. Compared to the canon, its less rigid form allows composers flexibility to express and the themes freedom to develop. The fuge reached its maturity in the hands of Johann Sebastian Bach, in his 48 and in his work final ''Die Kunst der Fuge'', and since then has been integrated into the heart of many a composition musical, an example being the climatic second choral section in the fourth movement in the nineth symphony of Beethoven.
'''[[Fuge]]''' (Italian: ''pöjutön, yagön''), u fom vönik, '''ricercar''' (Italian: ''vestigön'') binon pated [[taikpün]](?''[[counterpoint]]''), fom [[musig]], in kel liens melodik (u ''vög'') sümädön e zütülön in tim difik, nog forming a balät baitonik, igo bridön in binod komplitik.

In ''[[Die Kunst der Fuge]]'' we can see the development of a variety of fugea, such as simple fuge, mirror fuge, and an unfinished quadruple fuge.


[[en:Fugue]]
[[en:Fugue]]

Fomam dätü 06:12, 2008 yulul 30id

Fuge (Italian: pöjutön, yagön), u fom vönik, ricercar (Italian: vestigön) binon pated taikpün(?counterpoint), fom musig, in kel liens melodik (u vög) sümädön e zütülön in tim difik, nog forming a balät baitonik, igo bridön in binod komplitik.